On Friday I will be presenting collaborative research on the in-vitro meat case of the EPINET project. The paper is an analysis of the live television launch of the first in-vitro meat burger in August 2013, which frames the launch as a “media event” (Couldry & Hepp); and an examination of the main discourses circulating in digital culture round this time, which together work towards a critical discussion about the publics of synthetic meat.
The panel is with bioartist Oron Catts (synthetica) and philosopher Jake Metcalf. The event is part of Justice in a More than Human World – Collaboration or exploitation? Working with living systems across the arts and sciences, by Science and Justice workgroup Human / Non-Human Collaboration Across the Arts & Sciences.
Friday February 28, 2014, 4:00-6:00PM, Engineering 2 Room 599, UCSC
“Bioengineering and Meat Cultures”
Meat grown in a laboratory is being promoted as a response to the harmful effects of “conventional” factory-farmed meat production. Artists and scholars have identified how meat cultures are a new class of being, with their own unique characteristics. Some of these characteristics are precisely what makes lab-grown meat appealing as a food source, and some provoke what is frequently deemed “the yuck factor.” Viewing this new class of beings, along with other bioengineered critters, as custom-built collaborators, we explore the ways humans relate to and intervene in the more-than-human world to feed, clothe, house, and entertain themselves–and the way we respond when these interventions, collaborations, and cultures turn sour.
Hosts: Andy Murray and Sophia Magnone
Visiting Scholar and Artist: Oron Catts (http://www.symbiotica.uwa.edu.au/)
Oron Catts is an artist, researcher and curator whose pioneering work with the Tissue Culture and Art Project which he established in 1996 in collaboration with Ionat Zurr, is considered a leading biological art project. He is the founding director of SymbioticA, (which he co-founded in 2000) an artistic research centre housed within the School of Anatomy, Physiology and Human Biology, The University of Western Australia.
Under Catts’ leadership SymbioticA has gone on to win the Prix Ars Electronica Golden Nica in Hybrid Art (2007) the WA Premier Science Award (2008) and became a Centre for Excellence in 2008. In 2009 Catts was recognized by Thames & Hudson’s “60 Innovators Shaping our Creative Future” book in the category “Beyond Design”, and by Icon Magazine (UK) as one of the top 20 Designers, “making the future and transforming the way we work”. His work has been widely exhibited internationally in venues such as NY MoMA, Mori Art Museum, Tokyo and National Art Museum of China.
Catts was a Research Fellow in Harvard Medical School, a visiting Scholar at the Department of Art and Art History, Stanford University, a Visiting Professor of Design Interaction, Royal College of Arts, London, and a Visiting Professor at the School of Art, Design and Architecture, Aalto University, Helsinki where he was commissioned to set up Biofilia – Base for Biological Art and Design. Catts’ ideas and projects reach beyond the confines of art; his work is often cited as inspiration to diverse areas such as new materials, textiles, design, architecture, ethics, fiction, and food.